My role: sub-editor/layout sub
I freelanced for The Daily Telegraph between 2003 and 2005, producing two daily broadsheet pages for the TV desk as well as the ‘week ahead’ guide.
Responsibilities included chasing copy from external contributors and in-house writers, obtaining listings from press agencies and production companies, fitting and editing copy to fit the page templates, selecting images, writing captions, headers and cover lines, liaising with the paper’s production department, uploading my content into the CMS and writing programme previews (‘Pick of the Day’) when necessary – all to daily deadlines.
by Peter Hince (John Blake) – 288p (print edition)
My role: copy editor/proof-reader, June 2011
p.18, 4th line from top: “him releasing some fired-up some”. Repetition of ‘some’ – does the author mean energy, tension, nerves, something else?
p.106, 3rd line from top: “Sakuragichu”. Please check, does the author mean “Sakuragichō” – ?
p.129, middle of page: “When Margaret Thatcher won the general election in 1979, we were on tour in Japan”. See my earlier point about timeline – p.89 states the year as 1980 when they leave America for Japan.
p.203, 2nd from last line: Las Palabras de Amor, reference to song title. It should be “Las Palabras D’amour”.
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Full-time deputy editor, later editor, of The X Factor Magazine between October 1996 and February 1998 for Marshall Cavendish (London).
• Responsible (as editor) for the design, continuity and content of this fortnightly magazine. I was required to write, commission and edit copy, review products, conduct interviews for publication and attend conferences around the world. Strong journalism skills were essential for fulfilling briefs and gathering credible information from a variety of sources against extremely tight deadlines.
• I worked with authors, journalists, scientists, investigators and photographers to find the latest stories, as well as conducting the magazine’s own ‘paranormal investigations’ and exposés as regular features.
• The X Factor was the most internationally successful magazine in its field and had over one million readers worldwide (December 1997), as well as the highest rate of subscribers in the publisher’s history.